'Woman in Black' Receiving Multiple Sequels

Courtesy IMDB

While "The Woman in Black," sequel isn't set for release until 2015, that isn't stopping Hammer CEO, Simon Oakes from planning further additions to the franchise.

In an interview with Total Films, Oakes revealed that he is already thinking about the third and fourth installments, stating that- "If your second’s successful, then your third, then you’ve got a franchise… I just don’t believe in the notion that you can press a button and create a franchise, but, I mean, I’m definitely planning 3 and 4…"

The upcoming sequel, "The Woman in Black: Angel of Death," is based on an original story by Susan Hill, written by Jon Croker and directed by Tom Harper. Currently there is no US release date, but the movie is set to be released in the UK on February 13, 2015.

For the curious, here is a synopsis of the film:

“The Woman in Black" was set in the early 1900′s and detailed the story of a young lawyer who is ordered to travel to a remote corner of the U.K. to sort out the papers of a recently deceased client. In the eerie setting of Eel Marsh House he discovers the vengeful ghost of the title. Seized by the government and converted into a military mental hospital during World War II, the sudden arrival of disturbed soldiers to Eel Marsh Harsh has awoken its darkest inhabitant. Eve, a beautiful young nurse, is sent to the house to care for the patients but soon realizes she must save them from more than their own demons. Despite Eve’s efforts to stop her, one by one they fall victim to the Woman in Black.

-Nowal Massari

'Woman in Black' sequel 'might' include Daniel Radcliffe

After The Woman in Black put Hammer films back on the map, the horror studio plans to follow up its success with a sequel.

Based on another story by Susan Hill, The Woman in Black: Angels of Death will be developed by screenwriter Jon Croker, and will return 40 years later to the same Eel Marsh haunted mansion as the previous film.

The official synopsis:

Seized by the government and converted into a military mental hospital during World War II, the sudden arrival of disturbed soldiers to Eel Marsh House has awoken its darkest inhabitant. Eve, a beautiful young nurse, is sent to the house to care for the patients but soon realizes she must save them from more than their own demons. Despite Eve’s efforts to stop her, one by one they fall victim to The Woman in Black.

Even thought the sequel would feature a new cast and plot, Bleeding Cool reported that Hammer CEO Simon Oakes hoped to bring Daniel Radcliffe back for a small role. As if you needed more vague hinting, Oakes said Radcliffe "might" appear.

-Aaron Sagers

'Woman in Black' review: More old-school gothic thriller than frightfest

BY AARON SAGERS

The scene early on in The Woman in Black when a little girl gurgles up a mouthful of brilliant red blood then promptly croaks pretty much sums up the entire movie for me: A bit hokey at times, but spooky fun.

Starring Daniel (erstwhile Harry Potter) Radcliffe, and directed by James Watkins, The Woman in Black follows Radcliffe’s attorney Arthur Kipps – still consumed with grief years after his wife died giving birth to their young son - as he journeys to an English village to settle the estate of a recently-deceased woman. Aside from its wealthiest resident Samuel Daily (Ciaran Hinds) who takes to the young man, the townsfolk are unwelcoming to Kipps, and repeatedly attempt to dissuade him from visiting the woman’s mansion on a marsh.

Of course, Kipps does go to the mansion, and while there he begins to hear rattles, creaks, footsteps and see things that come standard with any good haunted house. Meanwhile, the spike in the already-high death rate of kids in town coincides with Kipps’ experiences at the estate. Instead of actually being thrown a bone by the village people, and maybe getting a few tips about the mansion’s pissed-off ghost hellbent on vengeance for past wrongdoing, Kipps has to unravel the secret on his own.

Based on Susan Hill’s 1983 novel, and produced by the resurrected horror company Hammer Films (in conjunction CBS Films and Cross Creek Pictures), Woman is an old-school gothic thriller where unrelenting terror and gore is absent but startles and creepy ambiance is plentiful. Instead of being a modern, deconstructed frightfest, the film pays tribute to classics where perpetually gray English weather, drafty rooms and long, dark hallways could set a mood without irony.

Sure, the shifty-eyed, suspicious townspeople could easily be promoted to an angry mob in a monster movie, and a couple of the jumps are akin to those viral video cheap shots. But Watkins successfully conveys that shadows are not your friend – and that just because you see someone oozing out of the darkness doesn’t mean that’s when something is going to happen. Still, he sometimes lets his camera linger a little too much (we get it, porcelain dolls are creepy as hell) and there are some logistical holes in the eponymous woman’s overall motivation. As far as Radcliffe’s performance in his first big non-Potter film, his Kipps is in a near-constant morose funk throughout the flick, but he does a fine job acting opposite shadows and silence.

The Woman in Black won’t have you running out of the theater, or keep you up at night, but it’s good for a few scares and a lot of spooks.