Paranormal Pop Art: Yum, yum zombies

Paranormal Pop Art is a feature showcasing the gorgeous, wondrous, creepy or cool artwork involving the paranormal (which you probably ascertained by the name, eh?). If you're a sculptor, painter, photographer, designer, videographer or musician and would like to share your work - or even if you just capture an awesome image connected to the paranormal - submit it to ParanormalPopArt AT gmail DOT com.

Cupcake Zombie
by Coco Fortunato
(Copyright Fortunato Ink)


Artist and friend of PPC, Coco Fortunato, provided this image a cute little cupcake encouraging the walking dead to eat another, more delectable pink treat - brains. We dig it, and it also reminds us here of a favorite new book, Yum-Yum Bento Box: Fresh Recipes for Adorable Lunches.

'Vampires Suck': Bring on the 'Twilight' spoofs

It was only a matter of time before a movie came out that spoofed the Twilight Saga films. There was already Nightlight, a book by the Harvard Lampoon that goofed on Stephenie Meyer's tweeny sacred texts. Now comes Vampires Suck, a Scary Movie-esque parody that aims to poke fun at the sparkly vamps crowd.

Based on the trailer and scene below (both embedded for your enjoyment), the targets for Suck (not to be confused with that other vampire movie, Suck) are fairly obvious and cheap. Biting satire, this is not. Yet, there is something about Vampires Suck that has me grinning. I think it may be that the dialogue, formula and visual aesthetic of the Twilight flicks are so hackneyed and pre-packaged with sliced cheese that it's almost a parody of itself already.

Also, I've got to handle it to the filmmakers for casting the spoof with actors fairly indistinguishable from the serious flick (the Kellan Lutz "Emmet" stand-in who looks like James Van Der Beek notwithstanding)

Anyhow, Vampires Suck opens Aug. 18. check it out. Or shall I say, suck it up? No, I shouldn't.



The Night Shift: Post-production, poster and Palin?

The Night Shift is the on-set diary of Fighting Owl Film's new independent supernatural-adventure-comedy of the same name currently in pre-production in Mobile, AL. Over the course of the next several weeks and months, you'll get an insider's peek at what it's like for filmmakers to craft a new entry of paranormal pop culture from Erin Lilley, a producer and actress on the film.


Post-production, poster and Palin?

Well, the movie's about a third of the way edited and so far, it looks pretty darn good. Thomas is happy, and I guess if the director's happy, it can't be too far from what we had originally envisioned.

The poster shown here is completely finished, and (dare I say it?) looks amazing. It's already getting some very positive attention online (except from that one person who thought I looked like Sarah Palin, but that's another story … Then again, I'll take any and all comparisons to Tina Fey I can get), and generating some excitement from the online community. This is a very good thing, and all very helpful in our plan for world domina-- er, gaining distribution. Yeah, that's it.

'Tara Normal' gets graphic: On the background

Each week artist Howie Noel, creator of online comic heroine and savvy paranormal pop-culture investigator Tara Normal, checks in with a "making-of" blog entry about his upcoming graphic novel, Tara Normal and the Case of the Boyfriend Robbers From Outer Space. Howie uses this space to give a first look at artwork and to update readers on the pain and suffering of writing a full-length comic book. When not blogging, Howie also contributes a special edition of the Tara Normal strip to TAPS Paramagazine and spends way too much time on Twitter @hcnoel.


'Tara Normal' graphic novel: Background info


Page One for my graphic novel seemed like it was going to be so simple. It turned out to be more complicated when I began to color it this week. I wanted the art to set up a mood for the opening of the book and hopefully the sample art I provided with this blog entry does that.

The shape of the comic panel itself is influenced by the widescreen look of films. I see the story ideas play out in my mind like a movie so for the graphic novel, I felt a cinematic format would work best. I'm influenced by film and TV heavily as a visual artist and I hope this panel shows a dramatic quality in terms of setting and tone.

For the Tara Normal webcomic, I mostly focus on drawing characters' faces and expressions. But for the graphic novel, I have set a goal to make the backgrounds and settings equally as important to enhance the story's cinematic feel.

So what do you think? Any movie that this panel reminds you of?

Next week I'll share a little bit about how music helps me write and draw!

'True Blood' recap: 'Hitting the Ground'

At-home critic (and Rental Reviewer) Denise Purvis reviews HBO's vampire soap True Blood each week.

True Blood, S3, ep. 7: 'Hitting the Ground'

Did this episode just fly by or what? It started and ended with a major (but major both majorly overdue) vampire deaths. There was a ton of action and all the major characters toughened up even further. There was also a real sense of the season’s endgame – a major split between Sookie and vampires.

Check out the clip from next week's episode to see if you think I'm wrong (it’s been known to happen. Once.).

First off, I love the way “Hitting The Ground” picks right back up with Sookie/Lorena/Bill in the slave quarters on King Russell’s property. Of course, Lorena is all sucking up on Sookie.

"No wonder Bill was drawn to you. You’re delicious,” Lorena says, then inquires (as all the villains eventually get around to) “What are you?” since no human tastes that good.

Sookie’s retort: “I’m the bitch that’s gonna kill you.” Well, I guess you can say one thing for Sookie this season; she’s a woman … er, whatever she is … of her word. Sookie stakes Lorena with a bit of Bill’s help and says, “You wouldn’t know love if it kicked you in the fangs!” Not exactly the coolest kill line, but bam! She’s dead and reduced to primordial vampire goo.

So long Lorena. We hated you, but we'll miss you.

Anyhow, Alcide and Tara come to Sook’s rescue. After Bill’s behavior in this episode, I can officially say that Sookie should hang it up and start being a were-banger. Of course you have V-head Debbie that comes in trying to thwart their plans. Uh-oh, Debbie’s gotta gun and she intends to use it on someone. Good thing Sookie can read thoughts because it seems like lately Tara’s got her hands full bailing her out of trouble. Sookie screams and Tara tackles Debbie, knocking the gun away from her. You know where Debbie is, Coot’s got to be near, so he comes busting in and subsequently gets shot once in the chest by Alcide and a second time – Jason/Eggs style—right in the head.

Master of the Dead: George A. Romero on a life directing slow zombies in a genre that won’t die

BY AARON SAGERS

George A. Romero’s fans are like the walking dead he’s made famous in more than 40 years of filmmaking – namely, they are relentless, move in mobs and often covered in bloody latex.

Except when the legendary filmmaker is in sight, they are not hungry to eat his brain, but rather pick it about zombie rules, zombie apocalypse survival tips and his take on the great debate of fast vs. slow-moving zombies

That’s the joy – and challenge – of interviewing the director of 1968’s horror classic, Night of the Living Dead. It may take a few attempts to pin Romero down for an interview, but along the way one witnesses the idolatry shed upon the so-called “Grandfather of Zombie Films.” One such attempt was at the May premiere of his sixth zombie film, Survival of the Dead – available Aug. 24 on DVD and Blu-ray - at New York City’s Village East Cinemas where he was swarmed by a crowd of rotting, zombified versions of Lady Gaga, Marilyn Monroe, Tippi Hedren, a Waffle House server, hipster and even a Chihuahua.

Romero is being appreciated by a new generation of fans due to a zombie-genre resurrection to rival vampires, and he eats it all up.

“How can you get tired of this, man?” he asks.